Art of Style Invite Large Art of Style Event Recap: A Huge Success and Stylish EveningArt of Style was a big success, a ton of fun, and a chance for all of artist Samara Shuter’s DC fans to meet her in person.  The Huxley, our venue for the evening, was fantastically cool and made us all feel right at home.

The event and its omnipresent hashtag #ArtOfStyleDC, received great media coverage, including The Washington Post, Washingtonian Magazine, Friend of a Friend, Greg’s List, and numerous fashion and lifestyle bloggers.  Thanks to everyone for the support.

We could not be happier with the outcome and already the question is being thrown at us, “We need more; when’s the next one?”

We’re already working on that.

With close to 200 guests in attendance, we had a full room, a lot of conversation, and lots of eyeballs on our in-house brands.  The bar was busy, but so were the tables for Bull + Moosestubble & ‘stache, Read Wall, and the Nice Laundry crew who were roaming through the crowd.

Personally, OTC had the chance to meet many readers, chat with great industry folks, and of course hang out with Sam Shuter, our guest of honor.  With all that out of the way, let’s get down to the photos!  If you were there, maybe you’re here.  And, if you missed The Art of Style, here’s what you missed.

If we missed mentioning you in a photo, no worries.  Just leave a comment and we’ll make sure you are recognized, or email us directly at otc (at) oofthecuffdc (dot) com.

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Art of Style Invite Large 1024x699 Join us on May 16: The Art of Style With Samara Shuter

On Friday May 16, 2014, from 5:00 – 7:00 p.m., join OTC and some of D.C.’s coolest brands and style influencers at The Art of Style Happy Hour celebrating artist Samara Shuter.  Sam is the creator of OTC’s suit logo, and more importantly, a talent whose international reputation continues to grow as more people discover her distinctive, menswear-influenced style.

Our other partners for the event – Bull+Moose, Nice Laundry, Read Wall, and Stubble & Stache – will have their outstanding wares on display.  Share a drink with the brands’ founders and meet up with other menswear enthusiasts.  You’ll be able to meet Sam and take a look at some of her iconic images on display.  We may even raffle off a couple of prints!

We are looking forward to a great crowd and some pretty special guests – Washingtonian Magazine and DC Magazine will both be there to cover the evening.

Our venue for the evening is D.C.’s The Huxley, a seriously cool event space centrally located near DuPont Circle.  The Art of Style Happy Hour is going to be one of the hottest events of the season and a great chance to hang out with some of the most fashionable and interesting folks in the capitol city’s style scene.

We will be updating you on the event as it gets closer, so make sure to check out our Facebook page.  And, of course, make sure to RSVP today and get your free tickets!

 

Danish Short Film, “The Trench”

True Love Video is a small collective of filmmakers and creatives based in Copenhagen, Denmark.  Dedicated to exploring, “beauty and the human place in the Nordic nature,” they have released the first in a series of short films that capture iconic outerwear and the humans beneath.  The series, entitled UDE, begins with that most traditional of menswear garments, the trench coat.

An art house styled short, Trench is slightly moody, narrated in Danish, and doesn’t even have a guy in it.  What it does do is convey the ubiquity of menswear and its easy movement between intended purpose and daily life, like a thoughtful, solitary stroll along the quay.

True Love Video producer Emilie Bredtved Hansen told OTC, “We want you to think of these works as morning walks.  As Something simple and pleasant and without any higher purpose.”

 

The Full Circle of Preppy

Actor Theo James on Nantucket GQ 684x1024 The Full Circle of Preppy

As with much of life, the modern aesthetic we refer to as “preppy” bears only a thin resemblance to the historical roots upon which it rests.  Often, the substance of a philosophy or belief is obscured over time as the surface decoration which was initially its outgrowth comes to define the entire idea.  The same can be said of preppy fashion.

It’s not too dramatic to state that the preppy fashion meme of today is but a shallow construct masquerading as some sort of cultural touch point.  The problem of course, is that preppy fashion has almost nothing to do with the culture it references, certainly not when it comes to actual, you know, culture.  However, as we move into the Spring of 2014, it would appear that designers are finally beginning to see the limits of the hyper-preppy overkill that has saturated the menswear space for several years.

The eye-burning excess of colors, patterns, crests, layers, skulls-emblazoned-on-everything, big plaid with little plaid with repp stripes, and velvet slippers to the office, finally seems to have exhausted even the most ardent of trend spotters.

So now, at long last, we can move onto the next phase in the ongoing preppy style circle of life.  As evidenced above in this relatively realistic GQ-styled take on preppy, a shift toward real life appears to be in motion.  Actor Theo James’ outfit, shot appropriately on Nantucket island, is thoroughly believable and wearable. Thank goodness.

The Influence of Real Life

Actual preppy style (that is, the preppy style of dress) evolved from life in New England preparatory schools, which by and large expressed conservative protestant values and social stratification.  Collectively, these influences created an environment which produced the uniform we know now as the preppy look.

Today, when someone is called (or calls themselves) “preppy,” it usually means that he dresses in a neo-traditional fashion, typically predicated on conveying a classically sporty lifestyle (crew, rugby, sailing, 1950s football, etc.).  Often, but not always, it is simply costume; no sense of history or understanding of the preppy culture.  That’s too bad, because actually, it’s a pretty interesting history.

Take Ivy Picture The Full Circle of PreppyMore so than other styles, preppy – East Coast, Ivy League, WASPy, call it what you will – has a real history behind it that clearly informs the fashion.

Perhaps that is why the style and implied lifestyle behind it, endures generation after generation.  While you can look polished and successful in a nice suit and carrying an expensive bag, you can convey many more social, cultural and status cues looking as though you just hopped off your Hinkley yacht after spending a week at the Cape house.

While for the most part it started at New England prep schools and ivy walled colleges, the roots of preppy style can also be traced to a focus on social achievement, uniformity of style, propriety, proper decorum and class distinction. Conformity of dress at school resulted in the basic uniform of coat, tie, button down shirt, grey flannels or chinos and loafers or lace ups. Codes, traditions and sports also helped to nurture a bond and familiarity among budding preps and instilled in them a feeling of belonging.

A culture of thrift and purpose also pervaded the Ivy League world.  Clothing was worn until it frayed, upon which it was patched and sewn.  Garments were handed down and cherished, signs of age and wear denoted a certain authenticity and personality that only time conveys.  Preppy style looks so good because it looks so worn and beat-up, lived in, and loved over time.  This focus on These

This environment helped create a culture of exclusivity that had real influence.  To say you prepped at Phillips Exeter (a feeder school for Harvard) or Hotchkiss (a feeder school for Yale) could win you access to the right social circle or get you into really great parties.  And once in the working world, to say you were a Yale man could mean getting the right job, joining the right club or vacationing on Martha’s Vineyard.

From Exclusive to Popular Culture

As preps sought to instill that sense of tradition and lifestyle in their own children, they looked, of course, to their own preppy past. To the oak paneled lecture halls of Exeter, the squash courts of Deerfield and the rowdy but stylish nights at Choate Rosemary Hall. So, their offspring were trucked off to the old alma mater and the cycle began again.

Kennedy Short Khakis The Full Circle of PreppyWithout question, it was an exclusive, self-impressed, and privileged world that gave birth to preppy style and the culture that underpinned it.  But, as with so many other attempts to create a homogenous bubble of exclusivity, the prep school aesthetic eventually moved beyond its original sphere of influence.

People want what they do not have or what seems more attractive than what they do. So, when the Preppy Handbook hit the shelves in 1980, its editor Lisa Birchach (herself a Brown grad) overnight became the arbiter of all things pink and green. People didn’t care that it was intended to be both a send-up of the “true” prep culture as well as a tongue and cheek education for those looking to emulate the life. They saw a way of living that was far more exciting, cultured, sporty and stylish than their own – and they wanted it.

For the first time, preppy culture had been distilled into a portable and easy to understand resource.  It was, and remains, the de facto guidebook to being preppy.  And, while she issued a follow-up, “True Prep” in 2010, the original remains unquestionably dominant in influence.

The privileged and windswept lifestyle that had taken generations of Blue Bloods to develop and refine was now a commodity to be bought and imitated. In that moment, the life of prep was effectively democratized. That is because once the Preppy Handbook came out, kids across the world latched onto the single most attractive and achievable aspect of the actual preppy’s life: its look – the rumpled and ironic blending of dress and casual clothes.

Ralph Lauren Preppy The Full Circle of PreppyIn the intervening years, preppy style has been interpreted, parsed, watered down and ginned up to such a degree that for many it has been commoditized beyond recognition.

In response, sites like Christian Chensvold’s Ivy Style launched as a sort of counterbalance, reminding people that this preppy fashion thing actually had a rich and important story behind it.  Yes, anyone can dress preppy, but “being” preppy is actually something altogether different.

When we first broached this subject years ago, one OTC reader pointed out that what some only know of as iconic Ralph Lauren branding, the mixing of dress and functional clothing, did not actually start out as a fashion movement.  His comment was in itself an expression of true preppy-ness:

“You don’t wear foul weather gear over your blazer because you’re a blue-blooded American demonstrating your accessibility without appearing tacky; you do it because you’re a wise-mouthed elitist who smugly tells your Latin professor, technically speaking, you haven’t broken any rules so there’s nothing he can do about it. And of course it’s sailing gear, because your father does own a yacht…”

The original audience for this rebellious “foul weather gear over the blazer” look was other preppies and their families. Yet, as this type of hybrid style came into its own, it seeped out into regular society. Eventually spreading to Madison Avenue, it was popularized by style influencers like the aforementioned Ralph Lauren.  Over time, the prep boom of the 1980s waned due to its extreme and vibrant interpretation of the preppy culture – the same issue facing the trend today.  At its apogee there was an almost cartoonish quality to the movement.  Sound familiar?

Finding Preppy’s Roots

What we see moving into the American preppy space now is an interest in a more reality-based look; muted colors and less overt branding and styling, singular pops of color rather than a cacophony that overwhelms.  Less “look at me, I’m preppy!” and more “oh, this old thing was my dad’s when he was in school.”

Hopefully, all this will translate into a more careworn, comfortable and vintage preppy personality; approachable and less precious than in the last few years.  Many of the style’s adherents are now looking for a little substance behind the flash, the story behind the fashion, and a more accurate read on the overall Ivy League look.

How wonderful would it be for the renewed focus on menswear quality, detail, provenance, and longevity to extend to the history and culture behind that most American of fashions?  Let’s make understanding the roots of American preppy as stylish as dressing in American preppy.

 

James Prosek: The Audubon of Fish

Jame Prosek Bonneville Trout James Prosek: The Audubon of Fish

James Prosek first gained notoriety back in 1996, when, as 19 year-old student at Yale University, he published Trout: An Illustrated History. Prosek’s ability to bring vibrancy and life to his watercolors, and his obsession with contextual and anatomical accuracy, won him quick comparisons to famed naturalist John James Audubon.  These accolades were no lighthearted atta-boys; Prosek was rightly identified as a truly gifted artist whose deeply felt connection with nature was both genuine and finely-tuned.

James Prosek in his Studio James Prosek: The Audubon of FishA Connective native, in many ways, he embodies the East Coast Ivy League ethos of intellectual meaningfulness.  James Prosek took a love of fly fishing, art, nature, history, and environmental awareness and created both a career and a movement that has influenced and motivated others.  His art is already included in the permanent collections of several museums.  And Prosek’s work is sought after by many a prep, complete with wall space in a suitable wood paneled, leather sofa-ed study-cum-office.

In the intervening years since his Ivy League days, Prosek has been a busy and prolific young man.

In 2003, he won a Peabody Award for his documentary on 17th-century author and angler Izzal Walton and his seminal book The Complete Angler, well-known to any fan of fishing.  In addition to the publication of several more books,  Prosek remains an accomplished artist, author, and naturalist.  He is a fellow of the Vermont Studio Center, and a visiting artist for the Yale Summer School of Art.  Prosek is also a curatorial affiliate of the Peabody Museum of Natural History at Yale (where I spent many a grade school field trip), and a member of the board of the Yale Institute for Biospheric Studies.

Along with Patagonia co-founder, Yvon Chouinard, he also co-founded World Trout, an initiative that supports individuals and groups who protect native cold water fish and their habitats.  And, at a mere 38 years old, Prosek still has a long way to go.

 

James Prosek Brown Trout James Prosek: The Audubon of Fish

James Prosek Atlantic Salmon James Prosek: The Audubon of Fish

James Prosek Mid current James Prosek: The Audubon of Fish

James Prosek Brown Trout on Line James Prosek: The Audubon of Fish

Elizabethan Club of Yale James Prosek James Prosek: The Audubon of Fish